LIAM GILICK
Hors-série # 129 (may 2019)
Man Made on the Moon, set of 2 prints on backlit film, each 80 x 80 cm. /31.5 x 31.5 inches, edition 10, signed and numbered, 2019
Mounted in light boxes: each 82 x 82 x 15 cm. /32.3 x 32.3 x 5.9 inches
please contact gallery for price
Public Poster Program II (11 / september 2017)
Tout va bien, silkscreen print on C-MAT 150 gr., 68 x 94 cm. /26.8 x 37 inches, edition 25, signed and numbered, 2017
please contact gallery for price
Hors-série #83 (december 2016)
Workplace Aesthetics Might Not Be Enough, CMYK offset print on multi-offset 120 grams, 42 x 29.7 cm. /16.5 x 11.7 inches, edition 40, signed and numbered, 2016
please contact gallery for price
detail
Untitled 292014A, inkjet print on Hahnemühle Photo Rag Matt FineArt, 188 gsm, 100% cotton paper, 48.5 x 33 cm. /13 x 19 inches, edition 50, signed and numbered, 2014
€ 950,-
detail
Phrase
appearing in the back of the print: " Multiple intitulé "Untitled 292014A",
réalisé en 2014, par Liam Gillick, en tant que N. Strasburg, pour le Pseudonym
Project, Paris."
(translation: Print, entitled "Untitled 292014A", created in 2014, by Liam
Gillick, as N. Strasburg, for the Pseudonym Project, Paris.)
Farm Form Firm Forum,
silkscreen on paper, 23 2/5 × 16 1/2 inches /59.4 × 42 cm., edition 18, signed
and numbered, 2014
please contact gallery for price
Hors
série # 66 (january 2016)
PART 1
Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + You can call it wallpapering for, but .........., silkscreen print on steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016
please contact gallery for price
Hors
série # 66 (march 2016)
PART 2
Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + Fog Wallpaperer Wanted. No Experience Necessary, silkscreen print on Steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016
please contact gallery for price
Hors
série # 66 (may 2016)
PART 3
Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + Dear Editor, silkscreen print on Steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016
please contact gallery for price
Hors
série # 66 (july 2016)
PART 4
Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + To-don't List, silkscreen print on Steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016
please contact gallery for price
Hors
série # 66 (september 2016)
PART 5
Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + Forget about the ball, silkscreen print on Steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016
please contact gallery for price
Hors
série # 66 (november 2016)
PART 6
Intervention in de Witte Raaf advertisement space, 18.4 x 25.5 cm. /7.2 x 10 inches, 14.000 examples + Some artists......, silkscreen print on Steinbach 250 grams, 65 x 50 cm. /25.6 x 19.7 inches, edition 25, signed and numbered, 2016
please contact gallery for price
e
Over the
course of 2016 Liam Gillick will make an edition in 6 parts. The release
dates will follow the rhythm of the art-magazine 'De Witte Raaf'. Every
two months Liam Gillick will publish a contribution in the advertisement
section. This magazine is distributed for free and is available at many
art venues (museums, galleries, art centers, etc).
Alongside, there is a limited edition produced. A 50 x 65 cm silkscreen
print, in edition of 25 + 5 A.P.
The suite of Liam Gillick's publications will compose one work, produced over the 12 months of 2016, both in the free version as in the limited edition version.
Hold Still,
object, modified crossbow, camera, usb image transfer cable, wooden box, 28 x 85
x 11 cm. /11 x 33.5 x 4.3 inches (box), edition 10, signed and numbered (on
sticker on box), 2012
€ 1600,-
With reference to Michael Powell's film Peeping Tom and the first
internationally syndicated German game show Der Goldene Schuss this work
comprises a deactivated crossbow with a camera replacing the firing mechanism.
Starting in 1964 Der Goldene Schuss involved participants guiding the hand of a
blindfolded cameraman/marksman who was tasked with hitting a novelty target
under instruction from the viewer. The phrase ‘der goldene Schuss’ has also
come to reference heroin – the title of the work on the box being a
reproduction of a graffiti found in a German city center. Use of the work is
threatening and places pressure upon the user to determine carefully the subject
of any photograph ‘captured’ by the camera.
Gatto Parlante, a bottle of finest Grappa di Vinaccia, produced and bottled by Distillery Domenico Pagura, Veneto. Label by Liam Gillick, edition 20, signed by the artist, in black card box, 2009
€ 150,- bottle 1 litre (50% vol)
Gatto Parlante, a bottle of finest Grappa di Vinaccia, produced and bottled by Distillery Domenico Pagura, Veneto. Label by Liam Gillick, edition 40, signed by the artist, in grey card box, 2009
€ 80,- bottle 0.5 litre (45% vol)
INSERTS #1 (march 22nd 2013)
1820, A4 folder with 8 A4 offset prints, each offset print 21 x 29.7 cm. /8.3 x 11.7 inches, edition 40, signed and numbered on colophon, 2013
please contact gallery for price
The edition was based on a performance held during the artist's exhibition at Bard College, summer 2012
Agriculture, Dentistry, Anarchy..., set of 6 silkscreens, each 81 x 65 cm. /31.9 x 25.6 inches, edition 20, signed and numbered, 2011
€ 8500,- (set)
Shelf System A, object, powder-coated aluminium, 10 x 20 x 100 cm. /3.9 x 7.8 x 39 inches, shelf consisting of 6 elements to be mounted onto the wall. Three different colour combinations, limited to an edition of 100, 2008
€ 11.000,-
Multiplied Discussion Structure, powder-coated aluminium, 41 x 61 x 245 cm. /16.1 x 24 x 96.5 inches, Three colour variations. Limited to an edition of 100, 2007
Liam Gillick considers the construction to be sculpture that can be used as a table or a bench.
€ 11.000,-
Guadalajara Revision Stack, 10 parts sculpture, edition in varying sequence colour, varnish on ceramics, diameter 30 cm. /11.8 inches, height 40 cm. /15.7 inches, edition 100, 2009
€ 4000,-
222nd Floor, multiple, aluminium with engraved text "222nd Floor", 30 x 5 x 1 cm. /11.8 x 2 x 0.4 inches, edition 80, with signed and numbered certificate, 2006
€ 360,-
detail
Guide (monntag bis freitag/monday to friday), set of 5 silkscreens in 17 colours on photoboard (black), 118.8 x 84 cm. /46.8 x 33.1 inches, edition 20, signed and numbered 2004
please contact gallery for price
SUNDAY # 009 (march 13th 2011)
Social centre in the centre, offset print on multi-offset, 120 grams, A1 (59.4 x 84.1 cm. /23.4 x 33.1 inches) folded to A4 (29.7 x 21 cm. /11.7 x 8.3 inches), edition 100, signed and numbered, 2010
please contact gallery for price
By making the abstract concrete, art no longer retains any abstract quality, It merely announces... |
A constant striving for a state of abstraction and in turn produces more abstraction to pursue... |
It is this failure of the abstract that lures and hypnotises – forcing itself onto artists and demanding repeated attention.. |
The abstract draws artists towards itself as a semi-autonomous zone just out of reach...
|
It produces the illusion of a series of havens and places that might reduce the contingent everyday to a sequence of distant inconveniences... |
It is the concretization of the abstract into a series of failed forms that lures the artist into repeated attempts to “create” the abstract... |
Fully aware that this very act produces things that are the representation of impossibilities...
|
The abstract is a realm of denial and deferment – a continual reminder that varied acts of art have taken place and the authors were probably artists. |
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SUNDAY is an editorial project published on a bi-monthly basis. A standard format was developed specifically for this project, in which an artist is invited to conduct an intervention, re-think a work, or make an adaptation.
SUNDAY is a cross between a publication, an artist’s edition, a multiple, and an exhibition.
A foldable exhibition platform, a poster-like monograph, an artwork edition, .........
An A1-size poster folded to A4 size, a colophon, bundled in an envelope.
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For other SUNDAY editions please watch SUNDAY editions
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LIAM GILLICK / ROB MAZUREK
Notice: every release contains a 12” record & an art edition and is limited to 100 copies. The intention is to let musicians and artists (in)directly collaborate. The result is a true audiovisual experience from some of the most exciting contemporary artists and musicians of today.
PLEASE NOTICE
We can offer several other works by LIAM GILLICK. About these works: please contact us for images, availability, prices and other information.