www.mo-artgallery.com

BAS JAN ADER

 

In search of the miraculous (One night in Los Angeles), set of 18 silver gelatin prints with hand-written text in white ink, each 8 x 10 inches /20.3 x 25.4 cm., unique, signature: certificate signed by the Estate of Bas Jan Ader, 1973
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Broken fall (organic), Amsterdamse Bos, Holland, Black and white 16mm film, silent transferred to digital media, duration 1'44", edition 3, signature: certificate signed by the Estate of Bas Jan Ader, 1971
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The Artist as Consumer of Extreme Comfort, silver gelatin print, 13 1/4 x 19 inches/ 33.7 x 48.3 cm., edition 3, signature: certificate signed by the Estate of Bas Jan Ader, 1969/2003

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Farewell to Faraway Friends, colour photograph, 20 x 22 inches/ 50.8 x 56.4 cm., edition 3, vintage, signature: certificate signed by the Estate of Bas Jan Ader, 1971

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Broken Fall (Organic), silver gelatin print, 18 x 25 inches/ 46 x 63.5 cm., edition 3, signature: certificate signed by the Estate of Bas Jan Ader, 1971/94

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Untitled (Westkapelle, Holland), two colour photographs, 16 x 16 inches/ 40.6 x 40.6 cm. each, edition 3, signature: certificate signed by the Estate of Bas Jan Ader, 1971/2003

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In search of the miraculous, performance in three parts (unfinished), documented by slides, an audio tape, the invitation card to Claire S. Copley Gallery, sheet music of sea shanties, Bulletin 89 (published by Art & Project, Amsterdam), photographs and Super-8 film material of the launch of the Ocean Wave, part one: choir performance at Claire S. Copley Gallery, Los Angeles, CA, 1975
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I'm too sad to tell you, Black and White film, silent, 16mm film and digital media, total duration 3'34'', edition of 3, signature: certificate signed by the Estate of Bas Jan Ader, 1971
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Study for I’m too sad to tell you (three parts), set of 3 silver gelatin photographs (framed), each 7 x 5 inches / 17.8 x 12.7 cm., paper size 10 ¾ x 8 ¾ inches /27.3 x 22.2 cm., unique, signature: certificate signed by the Estate of Bas Jan Ader, 1971
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from the series I'm too sad to tell you, 3 silver gelatin print (framed), 6 3/4 x 9 inches /17.1 x 22.9 cm., unique, signature: certificate signed by the Estate of Bas Jan Ader, 1971

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from the series I'm too sad to tell you, silver gelatin print (framed), image 5 x 7 inches /12.7 x 17.7 cm., paper size 10.5 x 12.5 inches /26.7 x 31.8 cm., unique, signature: certificate signed by the Estate of Bas Jan Ader, 1970

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The boy who fell over Niagara Falls, performance, documented by a sound recording, video tape and black and white photographs, 1972
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Installation view Kabinett für Aktuelle Kunst, Bremerhaven, Germany, 1972.

Please Don’t Leave Me, 1969, paint, light bulbs, wire, installation: dimensions variable, edition 3, signature: certificate signed by the Estate of Bas Jan Ader, 1969

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black and white Film,16mm., edition 3, signature: certificate signed by the Estate of Bas Jan Ader, 1971

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Thoughts unsaid, then forgotten, installation, oil stick, tripod, clamp-on lamp, flower, vase, dimensions variable, unique, signature: certificate signed by the Estate of Bas Jan Ader, 1973
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Primary Time, 1974, umatic tape transferred onto DVD, silent, 25 min, 47 sec., edition 3, signature: certificate signed by the Estate of Bas Jan Ader, 1974

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Untitled (Flower work), set of 21 C-type color prints in 3 frames, each 11 x 14 inches /27.5 x 36 cm., overall each frame 29 x 252 cm., edition of 3, signature: certificate signed by the Estate of Bas Jan Ader, 1974

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Fall 2, Amsterdam, Black and white film, silent, 16mm film and digital media, total duration 19'', edition of 3, edition of 3, signature: certificate signed by the Estate of Bas Jan Ader, 1970

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Study for Fall 2, Amsterdam, 1970, set of 5 photographs, each framed, each image 3.5 x 5 inches /8.9 x 12.7 cm., each image framed 8 3/8 x 9 5/8 inches /21.3 x 24.4 cm., unique, signature: certificate signed by the Estate of Bas Jan Ader, 1970

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Untitled (The elements), c-type print, 11 x 14 inches /27.8 x 35.5 cm., edition of 3, signature: certificate signed by the Estate of Bas Jan Ader, 1971/2003

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Light vunerable objects threatened by eight cement bricks, installation / performance, documented by 14 different 35mm slides with ballpoint pen inscriptions and 16mm film footage (B&W, silent, 66"), signature: certificate signed by the Estate of Bas Jan Ader, 1970

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What makes me so pure, almost holy? And more, 1 of a set of 13 drawings, pencil and Indian ink on paper, each 11 x 8 1/2 inches /28 x 21.5 cm., signature: certificate signed by the Estate of Bas Jan Ader, 1967

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PIET NIET, synthetic polymer paint on paper, 8 parts, each 30 x 22 inches /76.2 x 55.5 cm., unique, signature: certificate signed by the Estate of Bas Jan Ader, 1974

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Untitled (Swedish Fall), set of 2 colour photographs, 16 x 16 inches/ 40.6 x 40.6 cm. each, edition 3, signature: certificate signed by the Estate of Bas Jan Ader, 1971/2003

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Broken Fall (Geometric), Westkapelle, Holland, colour photograph, 15.8 7/8 x 11.8 inches/ 40 x 29.5 cm., edition 3, signature: certificate signed by the Estate of Bas Jan Ader, 1971

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All my cloths, black and white photograph, 11 x 14 inches/ 27.9 x 35.5 cm., edition 3, signature: certificate signed by the Estate of Bas Jan Ader, 1970

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Untitled (Tea party), 1972, 16mm. film transferred to DVD, black and white, silent, duration: 1'52", edition 3, signature: certificate signed by the Estate of Bas Jan Ader, 1972

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